José Antonio Montaño, conductor.

José Antonio Montaño director de orquesta español Spanish orchestra conductor director musical madrileño Teatro de la Zarzuela Auditorio Ballet Nacional de España Orquesta Comunidad Madrid Teatro Real opera concierto sinfónico sinfonía Sinfónica Conductor direttore Maestro orchestra Spanish Madrilenian Theater Auditorium National Ballet Spain Orchestra Royal opera concert symphonic Symphony classical music Mozart barroco clásico Marca España baroque barroca Montano Montagno Chef d´orchestre orchester dirigent ancient music históricos barocco criterios historicistas classicism clasicismo interpretación instrumentos originales época opera buffa direttore música Clásica period instrument Beethoven Martín y Soler Haydn Pablo Heras Haydn Abbado Gardiner harrison parrott barroco José de Nebra Oficio y misa de difuntos Requiem Bárbara de Braganza Portugal coro Victoria Schola Antiqua Mozart cd disco primera grabación inédito inédita publicación presenta la primera grabación del Requiem de José de Nebra nivel mundial La Madrileña María Espada soprano Bach Vivaldi Teatro Carlos III El Escorial Festival arte sacro Comunidad de Madrid Auditorio Nacional MadridLa Madrileña, the orchestra of period instruments under the direction of maestro José Antonio Montaño are returning to the International Festival of Sacred Music of the Community of Madrid. The early music ensemble will collaborate with soprano María Espada in a program entitled “Baroque Europe”, performing works by the three most important composers of 18th century Germany, Spain, and Italy – Johann Sebastian Bach, José de Nebra and Antonio Vivaldi, respectively.

It will be shown how it was that Baroque music in these three countries developed unique regional styles with certain characteristics specifically representative of each place, despite the utilization of the same technical compositional resources, such as the same harmonic language, similar features of counterpoint, and identical instrumentation.

Two of José de Nebra’s sacred arias for soprano and orchestrated for strings, basso continuo and two traversos will be performed. Parce mihi Domine, from the Office and Mass for the Dead composed in 1758 and dedicated to the Queen of Spain, Bárbara de Braganza was also recently recorded and published by La Madrileña, the Coro Victoria, and Schola Antiqua, all under the direction of José antonio Montaño.  De Nebra’s Lamentation II for Holy Wednesday will round out this composer’s contribution to this concert.

Two sacred orchestral works of Antonio Vivaldi will also be performed. Suonata a 4 Al Santo Sepolcro and the Sinfonía Al Santo Sepolcroas in the case of de Nebra, were likewise both composed for strings and basso continuo.

Representative of Johann Sebastian Bach, Montaño will lead the musicians in Bach´s beautiful cantata Ich habe genug for solo soprano, in addition to the well-known Suite for Orchestra No. 2 in B minor. The instrumentation for both works is strings, basso continuo and solo traverso. The French style was also very important in Europe in this era, as it was the most international musical form of the Baroque period. By performing Bach´s Suite in the French style along with these other works of the three most important European composers of the 18th century on period instruments, La Madrileña´s “Baroque Europe” program will honor the four principal styles of the late Baroque.

The performance will be held in the Iglesia de San Millán y San Cayetano in Madrid on the 24th of March at 8:00 p.m.

www.joseantoniomontano.com

www.lamadrilegna.com

www.madrid.org/fias/2020/

More information at SCHEDULE 2020

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